![]() ![]() ![]() If it were merely a matter of paying the upgrade price, I'd be tempted to do that. In the case of the latter, I have no way to determine whether I would find the difference between 32C and 3.3 worth the expense (again, with no way to try it out and see how different it is before buying). As it stands, my only options seem to be to buy it against a strong recommendation from Harrison, or else to buy a couple of 4K monitors. If there were a limited-time free trial, I might be able to check out 32C to see if I could set it up in a way which I find to be usable with my existing monitors. I have two 1920x1080 monitors, which work fine with Mixbus 3.3. This is a shame, because it used to be common to see monitors with 1920x1200 resolution, but they are nowhere to be found these days, at least not in the ordinary channels. These days on the PC side my choices of monitors from normal, mainstream sources seem to be generally limited to HD resolution (1920x1080), or the next step up, 4K. The up/down arrow keys nudge the fader up and down, while the left/right keys scroll the mixer left & right.The main factor that prevents me from buying 32C is that strong recommendation of a monitor at least 1200 pixels high. Select a channel by clicking on it with the mouse, then you can use the ‘S’ to solo, ‘M’ to mute, ‘R’ to record-arm the track. *Tip: You can also control the mixer page via the keyboard. Shift+Ctrl+click (Shift+Cmd+Click on Mac) to make ALL the tracks or ALL the buses narrow/wide. *Tip: You can Ctrl+click (Cmd+click on Mac) on the track’s name slate, and make the track wide or narrow. *Tip: Shift+Ctrl+Click ( Shift+Cmd+Click on Mac ) on a track’s Mute, Solo, or Rec enable to toggle ALL the tracks in a session. VCA faders may be attached to multiple channels, and they give you the ability to mute, solo, or adjust the level of all the attached channels simultaneously. You may create an unlimited number of VCA masters. See the section VCA Faders for more details. These are displayed between the mix buses and the master strip. Optionally, you can define VCA masters to which you can assign either channel strips or mix buses. The monitor section on the far right has been made available for those who do not have access to a dedicated external monitoring section. The output of the Master channel is the final output of your project ( i.e. Often, the master channel will be connected to your volume control, which is then connected to your speakers (or headphones). The master channel is the final mixer strip on the right. This allows you to easily adjust the relative levels of these groups and apply processing to them. For example, in a typical music project, you might send the drums to mix bus 1, the vocals to mix bus 2, instruments to mix bus 3, and use mix bus 4 as a parallel effects bus, like reverb. Mix bus channels are used to collect the outputs from the input channels into groups. Just to the right of the input channels are the mix-buses. No time is wasted searching for and adding the necessary high-quality mixing tools. This is the major difference between Mixbus and other DAW mixers. Input channels can be configured to be mono or stereo, virtual instrument or MIDI, and by default include all the DSP processing that makes up a real console channel. These mixer strips resemble the input channels of a traditional analog mixing console. In Mixbus, like other audio workstations, each recording track has its own mixer strip. The signal path’s EQ, Filter, Compressor, panning, bus summing, and master bus processing are performed inside Harrison’s proprietary signal path, are always present, and do not require user-supplied plug-ins. The signal starts at the input channels (which might be live inputs, playback tracks, MIDI tracks, or virtual instruments), progresses through the mix buses, and into the master. The audio signal flow is generally left-to-right. Input Channels are on the left, while the busses and master are located on the right side. When viewed in the Mixer Window, Mixbus resembles a traditional analog console. Mixer Strips – Inputs, Mixbuses, Master, Monitor, and VCA’s. Appendix C: Videos (Training and Tutorial).AVL Drumkits: Black Pearl and Red Zeppelin.Presonus Faderport, Faderport8 and Faderport16.Mackie MCU-compatible fader controllers.Combining Clips and Linear Tracks (advanced).Selecting Patches for Audition of MIDI Files.Showing and Hiding Tracks in the Cue Window. ![]()
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